CITAZIONE
Mars Attacks... Again - The Mars Volta
The prog legends talk At The Drive-In and Octahedron...
by Laura Davies
Monday, June 22, 2009
Think chaotic, think in your face, think apocalyptic, think The Mars Volta. Until now, that is. The afroed kings of punk rock are slowing it down for new release 'Octahedron'. So what shape does the fifth record find them in? Beautiful, poetic and cohesive – but with all the screaming intensity we know and love from the 21st century’s answer to Led Zeppelin.
“It’s about kidnapping, vanishings, disappearances, things like that,” explains energetic frontman Cedric Bixler-Zavala. “We’re honoring our threat of doing something simple.”
Simple for The Mars Volta musicians, is not how the rest of us use the word. Simple for the former At the Drive-In duo is pounding heartbeat drums, frenetic guitars and melodramatic synths. The only thing simple about the latest offering is you can understand the lyrics and hear a beautiful sometime falsetto voice behind them.
Very unlike The Mars Volta’s early ideology of beating up their instruments, gained from their At the Drive-In punk rock roots – roots that they may be making a welcome return to (but more on that later). “We’ll have dynamic in the set,” explains Omar Rodriguez-Lopez, the slightly smaller afro behind the music. “Instead of being three hours of being punched in the face, now you can get punched in the face, then have a slow dance right afterwards, then get punched in the face again.”
Genre-bending music is in the El Paso resident’s blood. A recent six month Mars Volta hiatus saw Omar make six solo records under the name Omar Rodriguez-Lopez Group and shoot a couple of films. “My studio is in my house. I have to cross my studio to get to my kitchen, so there is no avoiding it,” says Omar. Not that he’d want to. The man dressed in black shirt and jacket teamed with a black train driver’s hat is as talented as they come. “This is fun for us. It’s not a job.”
The live band – made up of Ikey Owens on keyboards, bassist Juan Alderete poached from Racer X, thumping Thomas Pridgen on drums and Omar’s brother Marcel Rodriguez-Lopez hammering away at percussion and synthesizers – are always one step ahead of their label with future records already in the pipeline. Record they're fighting to be given a release date.
“There are a lot of finished records and ideas that are being kicked around. It’s a big messy room that you constantly have to organise into piles,” says Omar, adding: “When you’re organising things to create a record, you choose the eight most interesting tracks to you at that point. Sometimes one says 'I don’t belong here' and one from another pile says 'I wanna be part of that record.'”
Playtime for Omar is about giving birth to a creative little entity called music. It speaks to him in a way that only true geniuses can testify. “A record is no different than a child. One day it grows legs and starts to speak and it’s not all about you anymore. You have to come to a mutual agreement with the record itself. It may reject ideas and guide you once you’ve given it a vocabulary.”
Omar is not the only member to go down the solo road, with Cedric using the break to work on his own material. Not that he wants the fanfare. “I hope it can go out on Omar’s label. I don’t want people to be like 'Oh look, the singer’s making a record, too.' I want it to be under the radar – for fun.”
If fun is what guides the consistently progressive back catalogue, then The Mars Volta are the most fun band on the planet. After At the Drive-In destroyed the competition with the untouchable 2000 'Relationship of Command' record, the band began to show cracks. Omar and Cedric hoped to experiment with their sound while Jim Ward guitarist and co-founder, bassist Paul Hinojos and drummer Tony were happy to stay on path. The ‘indefinite hiatus’ was called in 2001 and The Mars Volta was born from a previous side project DeFacto, while the other members formed now defunct Sparta.
The Mars Volta haven’t held back either, releasing five albums in near enough five years. It would be more too, if they didn’t have record label bureaucracy to contend with. All epic concoctions on their own, but together an arsenal of manic punked up rock and roll. Octahedron brings a slower pace to the martian mix. Making live experiences all the more eclectic.
Unfortunately for us, the festival season got in the way. The Mars Volta are only touring Octahedron on a small scale, for now anyway, with a date at Somerset House in July. “We’ll be back. This is just the beginning,” hints Omar.
And so on to the future. The all important reunion that so many want and so few actually believe will happen, until recent reconciliation rumours surfaced, that is. Cedric puts the record straight. “All it was is that we took time to bury the hatchet with the other members. There had been a lot of shit talk, at least on my behalf, and I had stuff that I wanted to say. I wanted to be friends with the guys again.”
This journalist’s heart sinks. “We’re just trying to see if we can still get along,” continues Cedric. The heart fizzes a little. A glimmer of hope appears. And are you ‘getting along’? “So far so good. It couldn’t happen any time soon because we have so much Mars Volta material.” The heart is now pounding. There is light and the end of the dark At the Drive-In tunnel. And we’re happy with that glorious maybe.
“Do you look forward to getting back together with your first boyfriend?” Omar enquires. If he made music like At the Drive-In, then yes you’re damn right I would. “We’re smart enough to never say never as you don’t know how life is going to happen. It’s like your first girlfriend, you learned amazing things together, but do you really want to open that can of worms?” Again, if those worms wrote 'One Armed Scissor' I’d probably give them another shot.
“We want to be peaceful with those people because we were in a band for seven years together,” offers Omar. “We’re in our thirties now, we don’t want to be angry about something that happened ten years ago.”
“The thing with At the Drive In was the excitement of the first time. Like the first girlfriend or sexual experience, you can never recreate that moment,” reminisces Omar. “You can have other amazing highs and learn all sort of things, but there is nothing like the first time when you don’t know what the fuck is going on. There’s nothing like the first time coming to Europe, nothing like the first time being on tour, or putting out a record. The first time smoking crack.”
Putting the At the drive in dream return aside, The Mars Volta have more than filled the rock void – they have brought more originality, attitude and talent than one band deserves, let alone two, and numerous side projects. It’s not just when would the duo themselves would have time for an At the Drive-In return, it’s when would we?
